I would like to understand exactly what a. This works because we work in ProRes 422 and export to the same codec it would not work if we worked in a proxy format and mastered in another codec. My work around is to render my timeline when the files are on-line (before they go off-line again) and use the previews when sending things to the queue. mogrt files are off-line again - but they're on-line in my timeline!!! When I bring them back, either by shutting Premiere Pro down and reopening it, or by making the files off-line then relinking them, they will be present in the time line (red - need rendering) and when I send a spot to AME via the queue (with out rendering), when it exports out the final spot, the. In practice, it's very rocky and I'm about to recommend we abandon the use of these templates. In theory, it's a great workflow, a bit slow, but saves space and time for those guys. Graphics creates the end page template (day/time) and we version them (rather than Graphics having to create 4-5 individual exports). mogrt files in our workflow to version network promos.
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